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Portrait of Federico da Montefeltro with His Son Guidobaldo
The ''Portrait of Federico da Montefeltro and His Son Guidobaldo'' is a painting dating from c. 1475 and housed in the Galleria nazionale delle Marche in Urbino, Italy. There is no consensus on the attribution of the authorship of the painting. The Flemish painter Justus van Gent (whose real name was Joos van Wassenhove) and the Spanish painter Pedro Berruguete are the main contenders for the honour as both painters are believed to have been working in Urbino at the time the painting was made. The painting is part of a series of 28 portrait paintings of 'uomini famosi' (the ''Famous men'') made for the study of Duke of Urbino Federico da Montefeltro (Musée du Louvre, Paris and Galleria Nazionale, Urbino).〔Paula Nuttall. "Justus of Ghent." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 25 July 2014〕
==Attribution==
Various artists have been proposed as the author of the series of the ''Famous men'', to which the Portrait belongs. Justus van Gent and Pedro Berruguete currently receive the strongest support.〔Marcello Simonetta, Jonathan James Graham Alexander, ''Federico da Montefeltro and his library'', Pierpont Morgan Library, Y.Press, 2007, p. 102〕〔Lauts, Jan; Herzner, Irmlind Luise: Federico da Montefeltro. Herzog von Urbino : Kriegsherr, Friedensfürst und Förderer der Künste. München 2001. ISBN 3-422-06354-4〕 The case for van Gent is that the paintings in the series appear to be made by a painter who was grounded in Netherlandish technique but had become strongly influenced by Italian painting. In addition, in his biography of Federico da Montefeltro, his former librarian, Vespasiano da Bisticci, attests that van Gent made the series of 28 portraits of ''Famous men''. Technological examination of the ''Famous men'' has revealed similarities of these works with another important earlier commission that van Gent completed for the duke in Urbino, the ''Communion of the Apostles''. The underdrawing showed that there was stylistic continuity between these works. The examination also disclosed a number of changes in composition and execution, which may point to a reworking by another artist, who may have been Berruguete. The work could therefore be a collaborative studio work from the studio of van Gent in Urbino, where Berruguete may have been a collaborator.〔〔Stefano Zuffi, ''European Art of the Fifteenth Century'', Getty Publications, 2005, p. 296〕〔(Gowing, Sir Lawrence, gen. ed. "Justus of Ghent." ) Biographical Encyclopedia of Artists, vol. 2. New York: Facts On File, Inc., 2005. Ancient and Medieval History Online. Facts On File, Inc. (accessed July 25, 2014)〕
The case for Berruguete rests on various arguments including the mention of a 'Pietro Spagnuolo pittore' in Urbino in 1477, a reference to the ''Famous men'' by Pablo de Cespedes dating from 1604, which could be regarded as an attribution to Berruguete (although Cespedes specifically stated that they were by a Spanish painter ‘other’ than Berruguete), the depiction of a Spanish-language book in the painting and stylistic similarities with later works of Berruguete. However, these later paintings are deemed to be inferior in style and technique to those in the ''Famous men'' series and unlikely to be the work of the same artist.〔
The final attribution of the ''Portrait of Federico da Montefeltro with His Son Guidobaldo'' remains undecided.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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